You’ll need an Outlook calendar these days to keep up with Markus Reuter, who’s collaborating with Crimson ProjeKCt, Stick Men and Ian Boddy.

Nnenna Freelon arrives like an effervescent burst of champagne bubbles, cooing and scatting along to one of Frank Foster’s final arrangements on the opening track from her forthcoming Yuletide set. You May Also Like: The Crazy World of Arthur Brown, “Fire” (1968): One Track Mind

Creedence Clearwater Revival was a canny name, considering the way the band nudged rock — in a moment when their San Francisco brethren were pushing it further out in the space — back toward its R&B roots. You May Also Like: No related posts.

A lot of the charm of this series’ initial two volumes — which focused first on the 1960s and then the ’70s — was in hearing these two delve back into found sounds from outside their own era. You May Also Like: How the Sweet Finally Came Into Their OwnRead More

Despite the lofty musical goals here, Emerson Lake and Palmer’s idea to tour in support of 1977’s Works with a full orchestra was fraught with issues You May Also Like: Emerson Lake and Palmer – ‘The Anthology: 1970-1998’ (2019)

The 1980s were marked by benefit extravaganzas, though oftentimes — whatever their noble intentions — they boasted both dubious musical results and unclear benefits. Amnesty International events were different. You May Also Like: When Peter Gabriel Suddenly Decided to Open Up on ‘Us’

With material as tried, true and in some cases worn smooth as Deanna Reuben tackles on Christmas Is Here, the focus quickly shifts to her own approach You May Also Like: Tom Tallitsch – ‘Ten’ (2019) Why I’m Still Confused by Pink Floyd’s ‘On the Turning Away’ Tom Tallitsch –Read More

Steve Howe has probably never got the credit he deserved for his role in fashioning the legends of both Yes and Asia. The Homebrew series, whether intended or not, has done much to underscore his privotal role You May Also Like: Steve Howe Made a Colorful, Quite Surprising Debut WithRead More

A patently weird, completely loveable group of retro-cool Austin hipsters, Jitterbug Vipers sounds like Norah Jones sitting in with Django Reinhardt. You May Also Like: Ken Sharp, “Girl / Forget That Girl” (2020): One Track Mind Parlor Greens – ‘In Green / We Dream’ (2024)

In the popular imagination, the 1960s festival scene in America went directly from Monterey Pop in 1967 to Woodstock in 1969 — but there was a too-often overlooked stop in between, and Jimi Hendrix was there, too. You May Also Like: Jimi Hendrix – ‘Songs For Groovy Children: The FillmoreRead More