Ellis Marsalis – ‘Whistle Stop’ (1994)
Ellis Marsalis’ ‘Whistle Stop’ served as an important reminder that New Orleans’ jazz patriarch was still a hat-tipping, oh-so-swinging piano man.

Ellis Marsalis’ ‘Whistle Stop’ served as an important reminder that New Orleans’ jazz patriarch was still a hat-tipping, oh-so-swinging piano man.

NICK DERISO: Pete Fountain, and this is rare, has remained local. Even now, you can still find this almost-mythical 70-something clarinetist at hometown spots in the New Orleans area, playing native-born favorites. Your garden-variety Marsalis talks about the Crescent City, but can’t be found within a country mile of itRead More
Skip the in-concert patter, and Frank Sinatra’s ‘Sinatra and Sextet: Live in Paris’ was a record that couldn’t help but matter.

To call this the most successful melding of New Orleans-style rag with hard Chicago blues presupposes that there ever was one before. Eurreal “Little Brother” Montgomery, as was his way, tills up new earth here, and with remarkable results. A stride pianist of great wit and power, Montgomery had theRead More

‘Dedications and Inspirations’ fully confirms the high praise of former bandmate Sonny Rollins, who once called Jim Hall “the greatest guitarist in jazz.”
Daniel Lanois had a guiding hand as producer in creating several signature recordings of the 1980s. Here’s a look back.

NICK DERISO: Produced by an actual working-class hero, touching listeners across every genre and making its case well away from the witheringly bright lights of the Sun Records myth, I’d argue that this record was when rock and roll finally came into its own. Written by legendary Frank Sinatra producerRead More

Started as another in rock star Eric Clapton’s celebrated CPR efforts for the careers of the blues legends he loved most, this one was almost lost to the Atlantic vaults. In the end, four different producers worked this thing at two different studios. Sessions were held in 1970, then againRead More

NICK DERISO: Volume 2 gives an idea of how considerable a wake the 1940s Miles Davis Nonet left. Taking its name from Davis’ legendary 1950 recording, this welcome, if belated, compilation scoops up all of the Capitol cuts from the early ’50s by two of the nonet’s most important disciples,Read More