Go inside the studio as Billy Sherwood enters the complex world of Yes, and find out how he came to work with David Paich on a signature Toto release.

Billy Sherwood talks about his original hopes for Yes, how the association initially fell apart, and how it continued to inform his subsequent work.

There are couple of ways that Kevin Crabb’s all-original Waltz for Dylan could have gone wrong. Rangy saxophonist Kelly Jefferson and, in particular, pianist John Beasley (Miles Davis) might have completely overtaken this project, dedicated to the drummer’s son. Or, they might have become lost in the distracting bashing ofRead More

This is a script-flipped blues rock record, with a plugged-in emphasis on the rock part. Back to New York City, in many ways, is as loud as it is brash — a thundering restatement of Popa Chubby’s outsized persona and even outer-sized personality. You May Also Like: Chubby Tavares, “GottaRead More

It’s one thing to cover somebody, quite another to expose something fundamentally true about the original song through your interpretation — and that happens with Johnny Cash’s take on this Bob Dylan classic. You May Also Like: How Johnny Cash Challenged Convention Once Again on ‘American Recordings’ How Johnny Cash’sRead More

Ben Folds, for all his blind-alley turns into jokes that go nowhere, retains a particular eye for the turn of phrase, for the precise word the opens your heart like a flower You May Also Like: Ben Folds Returned to Older Work on ‘Stems and Seeds,’ and Vastly Improved It

Half a decade later, Hurricane Katrina still has this devastating power to inspire, as heard on Peter Novelli’s new self-titled release You May Also Like: No related posts.

There’s a world-weary melancholy, a hard-won realism, to Styx’s new song that didn’t exist in Tommy Shaw’s fun-rocking “Renegade” days, and that points the way out of the band’s more recent habit of backtracking You May Also Like: No related posts.

On an album boasting a number of dark ruminations on this digital age, Billy Sherwood takes a second on “Living in the Now” to contemplate the answers.

Dallas, Texas-based Laura Ainsworth, though performing last-century throwback cocktail jazz, may have stumbled into a zeitgeist-defining moment with the opening title track here. Whether she knew it or not back in the recording studio, Ainsworth’s delicious tale of revenge exacted on a serial philanderer is perfectly of the moment YouRead More