Released 45 years ago this month, the powerful and pleasantly pompous ‘Next’ is Journey’s best pre-Steve Perry album.

‘Peacemaker’ probably would have been fun without the interesting musical choices, but its glam-metal soundtrack makes the HBO Max series so much better.

Jovian Tea’s new single is a masterstroke of paisley-powered whimsy, recalling a mingling between ‘Emotions’-era Pretty Things and early Pink Floyd.

Extraordinary music usually results when extraordinary musicians like Nels Cline and Ben Monder step out of their comfort zones and put themselves in challenging situations that gives them no other out but to lean on their innate sense of creativity.

In 2021, my vinyl collection grew substantially — and for me, it’s evolved into a bit of an addiction.

FISHBLOT’s ‘small talk’ culls together music from Danny Fisher-Lochhead / Ryan Blotnick sessions that is easily relatable but impossible to categorize.

Self-proclaimed “alt-folk rock” songwriter Dan Tedesco joined Erik Ritland to discuss releasing albums “horizontally instead of vertically.”

Through it all, John Mayall resisted the commercial call and just played a mean, authentic and very defiant British boogie-rocking and heaven-sent blues.

Steely Dan closes the ‘Northeast Corridor’ live album with a genteel performance of a blues-jazz song Joe Williams made famous.

With ‘Oddly Enough,’ Gordon Grdina’s own stringed-based expedition into the works of one of current jazz’s most esoteric composers sheds yet more light on the character, shape and genius contained in these scores.