For all of his prodigious virtuosity, there has always been something different about Eric Johnson’s live performances, something in the vernacular — in the way that one thought flowed into another, into another still. That simply doesn’t always exist on his studio recordings, which often have the feel of something overthought, perhaps even over-recorded.
In an effort to show his wares, those albums sound too polished, too perfect.
Europe Live illustrates, in song after brilliantly erudite song, what cutting Johnson loose — without overdubs, without punch ins, without edits — adds to compositions both familiar (his hit “Cliffs of Dover,” John Coltrane’s titanic “Mr. P.C.,” the Grammy-nominated “Zap”) and new (“Fatdaddy,” from Johnson’s most recent album). Due June 24, 2014 via Provogue, the 14-track project finds Johnson working within a lean, spacious trio format featuring bassist Chris Maresh and drummer Wayne Salzmann, primarily performing at Melkweg in Amsterdam.
Their symbiotic interactions seem to push Johnson’s sense of craft, even as they free him to explore out to undiscovered areas of his muse — only, this time, there’s no going back, no opportunity for second thoughts. In those moments of high-wire creative fission, Europe Live shines brighter than most anything Johnson has put to tape in a studio thus far.
- How Deep Cuts on ‘Music From Big Pink’ Underscore the Band’s Triumph - July 31, 2023
- How ‘Islands’ Signaled the Sad End of the Band’s Five-Man Edition - March 15, 2022
- The Band’s ‘Christmas Must Be Tonight’ Remains an Unjustly Overlooked Holiday Classic - December 25, 2016