‘The Man Who Knew Too Much’ (1956): Movies I’ll Never Forget
Of the countless movies I’ve seen throughout my life, Alfred Hitchcock’s ‘The Man Who Knew Too Much’ stands as a huge milestone. Here’s why.
Of the countless movies I’ve seen throughout my life, Alfred Hitchcock’s ‘The Man Who Knew Too Much’ stands as a huge milestone. Here’s why.

The long-forgotten ‘Both Directions at Once, The Lost Album’ is nonetheless as gratifying as many other John Coltrane albums from the Impulse! era; indeed, it holds its own against the entire, history-making discography.

Matthew Lux’s debut ‘Contra/Fact’ contains a good deal of delightful surprises but given his credentials, such surprises are to be expected.

Refreshing and ultra-catchy, Vince Tomas’ “Anything and Everything” is the perfect summer song.

Martin Popoff manages to make the often-written-about story of Pink Floyd new again. That’s quite an accomplishment in itself.
Co-written by drummer Danny Seraphine, “Take Me Back to Chicago” is a standout from a disjointed album.

All three of the Fabulous Poodles’ U.K. albums have been reissued and remastered. In the meantime, they took a winding journey.
The Beatles deep cut “Mother Nature’s Son” proves Paul McCartney’s mastery of simplicity in melody, subject and arrangement.
“Slipped Away” somehow ended up with no chart presence, but Toto’s B-side to “The Other End of Time” actually has it all.

Considering the Doughboys are so heavily influenced by the Rolling Stones, it makes perfect sense they would eventually get around to covering them.