A previously unreleased trio recording from Pat Martino provides new insight both into his obvious debt to Wes Montgomery and Grant Green — but also how his burning, blinding speed outstripped anything those old masters ever attempted, even as the guitarist opened a door for fusion’s looming ferocity.
The museful accordion of Garth Hudson on Rick Danko’s “New Mexicoe” heralds not just an important partial reunion for the post-Robbie Robertson Band, but one of the most notable lost gems from their combined solo careers.
Don Airey, who had a vibrant career of his own prior to Deep Purple, has provided a ringing farewell for his old bandmate Gary Moore — with a final assist from the too-soon-gone guitarist himself.
Founded 1962 in St. Albans, England, the Zombies starred the remarkable talents of lead singer Colin Blunstone, guitarist Paul Atkinson, bassist Chris White, keyboardist Rod Argent, and drummer Hugh Grundy.
Noah Baerman plays piano, organ, slide guitar and sings a little. He leads a trio, a chamber octet, a duet, a quartet of singers, a two-sax/vibes quintet, and an assortment of combinations of these ensembles. He composes for every shade of jazz from greasy soul-jazz to Third Stream. And he does this all within one album.
‘If I never do it again, that’s OK’: Adrian Belew dives into ProjeKCt work, with no King Crimson regrets
The Crimson ProjeKCt, a Robert Fripp-approved King Crimson offshoot group, begins its new tour today in Tel Aviv — even as the mothership band is set to restart featuring two of the ProjeKCt’s stalwart members.
The few times I’ve ever offered up any of my WTF?! Wednesday material to co-workers, the response invariably involves a crinkled up face and a head shake. This is often followed by a comment along the lines of “That…is not music.”
Slowly at first, and then with a tornadic gush, Brian Eno and Karl Hyde begin this collaborative journey. “The Satellites” begins with an almost imperceptible pulse, then synth and sax tangle and untangle — creating an undulating dissonance, before there emerges from these whispers a canny amalgam of Eno’s ambient ruminations and Hyde’s Underworld electronica.
For Steve Latshaw, directing Return of the Killer Shrews was a labor of love. Make that a lifetime’s labor of love.
For as long as rock ‘n’ roll has been around, there have been songs celebrating the genre. In the ’50s, there was “Rock And Roll Music,” “Twenty Flight Rock,” “Rock And Roll Is Here To Stay,” “Seven Nights To Rock,” and “Rock Around The Clock,” among many others.