James Brandon Lewis’ ‘Jesup Wagon’ feels just like the musical embodiment of George Washington Carver.

Big Monitors’ lively cover of “O’Neal’s Porch” is all about the exhilaration of freedom coupled with the majesty of tradition. That’s probably the best way to honor William Parker.

Mat Walerian’s latest Okuden project is his most ambitious yet and when you understand the sweeping, cutting-edge careers of his sidemen, you see an artist whose ambitions matches theirs.

Being around William Parker has left a deep impression on drummer Jeff Cosgrove, and some of Parker’s creative flair has apparently rubbed off on him, too.

Daniel Carter, Matthew Shipp, William Parker and Gerald Cleaver show how the introduction of just one new member into a stew of vets radically changes the dynamics.

‘Gowanus Sessions II’ is the long-awaited second part of an epic improv recording session from Thollem McDonas, William Parker and Nels Cline.

At casual glance, the Matthew Shipp Trio’s new album could be read as ‘Symbiotic Reality.’ An engaged listen convinces us that should be the actual name.

With ‘Ineffable Joy,’ Ivo Perelman makes a significant addition to free jazz’s most fabled record company catalog.

Whit Dickey uses his drums not to merely set a rhythmic pulse of the song, but the spiritual pulse, too.

The enthusiasm that Jeff Cosgrove, Matthew Shipp and William Parker invest in pushing jazz into sweet freedom shines through on ‘Near Disaster.’