Sam Weinberg joins with refugees from Little Women to form the new trio Bloor, and it’s wild, acerbic and even a bit mathematical.

Once again, Ivo Perelman follows a path that the listener has never gone down before – or the musicians, for that matter.

Stuffed full of pedantic theories and approaches, ‘Music By Gestalt’ comes out a lot more accessible than all this seems by its description.

Jazz is the music of pure emotion, and it’s the vehicle by which Michael Bisio, Kirk Knuffke amd Fred Lonberg-Holm sorted out their feelings about a tragedy.

Wendy Eisenberg and Shane Parish’s ‘Nervous Systems’ is just two masters of experimental guitar in an impromptu meeting of the minds.

‘Echos la nuit,’ which translates into “echoes the night,” is a unique moment for Michaël Attias: This is his first unaccompanied album.

The enthusiasm that Jeff Cosgrove, Matthew Shipp and William Parker invest in pushing jazz into sweet freedom shines through on ‘Near Disaster.’

Nate Wooley finds insight for his music from a glacial landscape and, like its namesake, his own ‘Columbia Icefield’ is far out and expansive.

Performances like these are often called “spontaneous compositions” but in the case of Dave Rempis’ Kuzu, they’re often spontaneous combustions.

Here is the video premiere of ‘Boom’ from Trapper Keaper’s upcoming LP ‘Trapper Keaper Meets Tim Berne & Aurora Nealand.’