The music of Wadada Leo Smith, no matter the setting, is spiritual, mesmerizing, purposeful and often dense. We found out back toward the end of ’09 just how dense his music can be You May Also Like: Wadada Leo Smith – Najwa (2017) Wadada Leo Smith and Orange Wave ElectricRead More

Three of the larger figures in the downtown New York avant jazz scene – Jim Black, Nels Cline and Tim Berne – join forces.

Listening to Allison Miller’s superb CD from last year Boom Tic Boom, I appreciated how it covered a lot of ground within advanced modern jazz, helped along by such sympathetic supporting players in this piano jazz trio. But that album still left me wondering where this ace drummer, composer andRead More

Last year, the outlaw chamber music cooperative Anti-Social Music did something that was out of the ordinary for a democratic cooperative and presented songs only by of its thirteen members, Pat Muchmore. But there has never been anything ordinary about ASM to begin with. In one sense, you can callRead More

by Mark Saleski Some people really have the wrong idea about jazz. They think that most of it falls into two very broad categories: traditional, where guys in suits play an introductory theme before taking turns soloing over the developed chord changes; and avant-garde, also known as “cats-on-piano” jazz, whereRead More

I don’t know if it’s a trend of not, but lately I’ve noticed a lot more unconventional trios in jazz. By “unconventional” I mean without the bass player, and the usual premise I’ve heard for doing this is to allow more freedom. Trying out uncommon configurations is an interesting andRead More

By Mark Saleski Like mystery novels, poetry, or any other form of art, music has a lot of uses. We’re sad and pull out those old Son House records. Happy? How about some Speaking In Tongues-era Talking Heads? Is romance in the air? You May Also Like: No related posts.

A few years ago when I sat down and took a stab at identifying some up and coming women in a world of instrumental jazz still dominated by men, one of those ten names that came to mind was avant garde saxophonist Matana Roberts. After moving to NYC from herRead More

The Toronto-derived drummer, composer and bandleader Harris Eisenstadt was described by The New York Times jazz critic Nate Chinen as taking a “fixer’s approach to music making, looking for ways to fit the pieces together,” and while I agree with the praise he and others have heaped on Eisenstadt, IRead More

by Tom Johnson Bill Frisell has become one of the most easily recognizable guitarists in jazz, and it’s not without an effort to incorporate himself into as many styles as one person could in a lifetime. Few guitarists in any genre could pull off the feat of having played inRead More