Last month we got a taste of UK acid jazzers The Brand New Heavies’ first release since 2006’s Get Used To It, and the advance single “Sunlight” signaled a pretty decent return. You May Also Like: Biscay – Burnt Mementos EP (2017) Mark Anthony K on Projekt Gemineye’s ‘A BrandRead More

The best peace, love and harmony anthem of 1985 didn’t come from the composing pen of Michael Jackson and Lionel Richie, wasn’t produced by Quincy Jones and not sung by hordes of rock music’s biggest stars. You May Also Like: How the Isley Brothers Made Seals and Crofts’ ‘Summer Breeze’Read More

The last recordings of an early rock legend had none of the crunchy grit of “Dizzy Miss Lizzy.” Instead, Larry Williams reimagined his sound.

It would be easy enough to tag this as Southern rock, or as blues, or even — at times — as gospel, were Randall Bramblett’s The Bright Spots not so consistently all of those things, and something more. You May Also Like: Royal Southern Brotherhood – The Royal Gospel (2016)

This is a first-time CD reissue in any form of Sam The Sham’s fine 1971 solo album, originally released on Atlantic Records and produced by the legendary Tom Dowd at Criteria Studios in Miami You May Also Like: Boz Scaggs + Duane Allman, “Loan Me a Dime” (1969): One TrackRead More

Michael McDonald’s “Judgement Day” has a ballsy gumption that his smoothed-out pop hits and plasticine Motown remakes scarcely aspire to.

Seven years after their last release, acid-jazz pioneers The Brand New Heavies signal a return to original form with “Sunlight.” You May Also Like: The Cretins, “Haven’t Got a Clue” (2019): One Track Mind David Philips, “Home” from Winter (2017): Something Else! sneak peek

Long a shadowy figure, Shuggie Otis had become known more for his absence than for psychedelic soul successes like 1974’s Inspiration Information and writing songs like Brothers Johnson’s No. 5 1977 hit “Strawberry Letter 23” You May Also Like: No related posts.

You may think you’ve never heard of the McCrary Sisters, but you probably have anyway: The quartet was featured, for instance, on Dr. John’s Grammy-winning 2012 Dan Auerbach-produced triumph Locked Down. You May Also Like: Heart – Beautiful Broken (2016) Heart – ‘Live at the Royal Albert Hall with theRead More

This song, a new live interpolation of a Miles Davis cut from 1961’s Someday My Prince Will Come, might be the best argument Nicholas Payton has ever made for the use of the term Black American Music (or #BAM) instead of jazz. You May Also Like: Nicholas Payton – ‘SmokeRead More