Satoko Fujii, Taiko Saito and Yuko Oshima are three wellsprings of creativity who as Trio San joined forces to find new ways to make uncommonly compelling music.

Seven albums in, the Kaze concept shows no sign of going stale. Every time out they freshen that concept in ingenious ways and ‘Crustal Movement’ with Ikue Mori returning is their most audacious undertaking yet.

Satoko Fujii and Otomo Yoshihide made music on the spot on ‘Perpetual Motion,’ relying strictly on instincts and virtuosity. Luckily, Fujii and Otomo have loads of both.

Satoko Fujii’s genius can be difficult to encapsulate on a single record. We may finally have a good starting point with ‘Hyaku: One Hundred Dreams.’

Now on its ninth album ‘Sleeping Cat,’ Natsuki Tamura’s Gato Libre has never really been about jazz; it’s folk music with an open mind.

When left entirely to his own devices (literally), Natsuki Tamura’s imagination runs wild. With ‘Summer Tree,’ he gave himself more places for his imagination to run, thanks to multi-tracking.

From two very fertile musical minds come endless ways to approach a duet. with ‘Any News,’ Satoko Fujii and Alister Spence don’t even need to plug in and be in the same room to make theirs compelling.

With a prepared piano, Satoko Fujii once again makes “music that no one has ever heard before.”

Satoko Fujii’s Tokyo Trio as heard on ‘Moon On the Lake’ is not a conventional jazz trio but a Fujii ensemble in every sense, with the grace, sophistication, surprise and ingenuity found in her other groups.

The piano/vibraphones duo isn’t exactly a new concept, but Satoko Fujii and Taiko Saito take that concept to places it’s never been before. The exotic places they visit make ‘Beyond’ a trip well worth taking.