Tony Levin and Peter Gabriel have become inextricably linked, something that was underscored by the bassist’s recent appearances on the anniversary tour celebrating 1986’s So. They didn’t have a very auspicious meeting, however. You May Also Like: Tony Levin on King Crimson, Stick Men and Photographing It All: Something Else!Read More

There were a few tracks that didn’t make it into the Whack Eleven, and “Fall of ’92,” credited to both Becker and Donald Fagen, was one of them. Musically, it can hang with most any of the approved ones found on 11 Tracks Of Whack You May Also Like: WalterRead More

Gene Clark was ever restless, the constant traveler, from his sudden departure after a stirring two-year tenure with the Byrds into solo career that careened from one style to another, to his untimely alcohol-fueled end at just 46. You May Also Like: Gene Clark – Firebyrd (1984): On Second ThoughtRead More

Steve Lukather ended 2013’s ‘Transition’ with the one-take instrumental “Smile,” but he won’t be pursuing instrumental work on a broader basis.

Though he typically handed the microphone over to partner Daryl Hall, John Oates co-wrote three of Hall and Oates’ six No. 1 Billboard hits, as well as charting favorites like “She’s Gone.” But he says his compositional style has changed since then. You May Also Like: No related posts.

There’s a reason Deep Purple never previewed any of the new music on What Now?!, despite appearing in such high profile settings as the Dubai Jazz Festival in the run up to their forthcoming LP’s April 30, 2013 release. You May Also Like: No related posts.

Round one of Queensryche vs. Queensryche, much to my astonishment, goes to Geoff Tate – but by the very narrowest of margins.

As Sammy Hagar worked on plans to celebrate his four decades in rock, the former Montrose and Van Halen singer says he lit on the idea of presenting a set that moved through each of his hitmaking eras — with special guests to match. You May Also Like: No relatedRead More

Time to make room for another live set by Quicksilver Messenger Service, an often-overlooked band which has always been defined by the 1969 concert document Happy Trails. You May Also Like: Banchee – Banchee (1969): Forgotten Series

Our music is red with purple flashes, declared this British band, and such a description is highly accurate. Big, bold strokes, bursting with bright colors and flavors were the elements embedded within the Creation’s material. You May Also Like: Joe Mandica, “I Feel Fine” (1980): One Track Mind