Bob Dylan has played with a lot of electric guitarists. Fine players, all. One stands alone, however, in this long musical history: Robbie Robertson.

Robbie Robertson didn’t just remix the Band’s third album with Bob Clearmountain. He created a completely new track sequence for ‘Stage Fright.’

A new reissue of the Band’s self-titled second album paired with a group of originals by Robbie Robertson to remind us of their towering influence.

The Band’s perhaps too ambitious “Christmas Must Be Tonight” never became the seasonal favorite it should have been.

Robbie Robertson found another deeply resonant setting for his unique brand of storytelling with ‘Storyville,’ released on Sept. 30, 1991.

A moving turn by former Band mate Rick Danko gives shape to a yearning at the center of Robbie Robertson’s darkly mysterious “Hold Back the Dawn.”

“Soap Box Preacher” rewarded those who’d waited in the hopes that Robbie Robertson’s solo career could conjure that old Band magic again.

Robbie Robertson continued in his role as a curator of things that Americans take for granted with this New Orleans-focused project.

Pattie Boyd gives fans an exclusive peek into the rehearsals for ‘The Last Waltz’ concert by the Band, saying “it was so exciting, very exciting.”

Songs like “The Lights,” from Robbie Robertson’s adventurous 1998 solo album, could only come from this songwriter, in this moment.