Chicago’s two musical eras were bridged by the sweet, complex ‘Just You ‘N Me’
Released this week in 1973, Chicago’s “Just You ‘N Me” combined their now-familiar easy-listening vibe with cool earlier-period improvisational asides.
Released this week in 1973, Chicago’s “Just You ‘N Me” combined their now-familiar easy-listening vibe with cool earlier-period improvisational asides.

On stage, Jethro Tull’s Ian Anderson has been hit with a variety of items: a baseball, a rose, a splash of urine. This, however, may have been the worst.
When Jimmy Page’s ‘Outrider’ arrived on June 19, 1988, the focus went to a one-song Robert Plant reunion. The LP’s highpoint, however, was found elsewhere.

Dire Straits’ ‘Communique,’ released on June 15, 1979, caught my ear much later – but it only confirmed Mark Knopfler’s genius.
Roger Waters’ ‘Radio K.A.O.S,’ released on June 15, 1987, was defined by a tangled narrative and plasticine production. Here’s why we like it, anyway.
Released on June 15, 2010, Tom Petty’s ‘Mojo’ built off a rootsy foundation, extending their reign as the most sophisticated garage band in America.

‘Candy-O,’ released on June 13, 1979, wasn’t quite as immediate or artfully cool as the Cars’ celebrated debut. Here’s why we love it, anyway.
Here is a reflection on free jazz pioneer Ornette Coleman and his wonderful 1985 encounter with Pat Metheny, ‘Song X.”

Steely Dan’s ‘Everything Must Go,’ released on June 10, 2003, just gets better with age. So, let’s try it in reverse order.
The Rolling Stones’ ‘Some Girls,’ released on June 9, 1978, was a very important moment. We now know that they would never sound the same again.