Transitional ‘Sorcerer’ changed Miles Davis, and his music, forever
Released in December 1967, ‘Sorcerer’ is the clearest sign yet that Miles Davis was letting go of the wheel.

Released in December 1967, ‘Sorcerer’ is the clearest sign yet that Miles Davis was letting go of the wheel.

When Brian Eno’s ‘Small Craft on a Milk Sea’ arrived in November 2010, I was disappointed. You expect him to be ever changing.
Pity the poor Brits, who didn’t initially receive the full 11-song U.S. version of the Beatles’ ‘Magical Mystery Tour,’ released on Nov. 27, 1967.
Released this month in 1982, Phil Collins’ ‘Hello, I Must Be Going!’ was a disparate collection of moods, tempos and personas – a reflection of both his career and private life.

Released this month in 1975, Queen’s ‘A Night at the Opera’ boasted a stunning musical promiscuity. They even found a way to take folk rock to outer space.
The Beatles’ Love, released this month in 2006, was at its best when George Martin got outside of convention – but that didn’t happen nearly enough.
When I think of the genius of the late, great Allen Toussaint, I think of the masterpiece he made with Lee Dorsey in 1970.
The Eagles’ ‘Long Road Out of Eden’ arrived on Oct. 30, 2007 sounding like nothing else out there. It was unabashedly an Eagles record.
Released on Oct. 28, 1985, ‘Afterburner’ risked becoming just another faceless piece of glossy MTV-era production – until Billy Gibbons stepped in.

Gov’t Mule dug deeply for ‘By a Thread,’ released on Oct. 27, 2009, retaining all of their soul and grit even as they emerged with a new lineup.