Grateful Dead co-founder Bill Kreutzmann, great groovy Meters bassman George Porter Jr. and hoodoo guitarist Papa Mali have joined together.

Cassandra Wilson, who consistently defies convention as this restless chanteuse, doesn’t disappoint with Silver Pony — issued today on Blue Note as the long-awaited part-in studio, part-live followup to her celebrated Loverly. She has the vocal phrasing, the dusky intellect, of Charlie Parker and the elastic intuition of Betty Carter.Read More

Mother Nature just staged a terrorist act on our ass! — Warren Smith, “Dyes And Lyes” About five years ago, woodwinds and flute specialist Andrew Lamb convened a recording session with his longtime musical partner Warren Smith (drums, percussion) and the bass/cello master Tom Abbs for some free form musicalRead More

There is a whole lot of fun, but also a riveting intensity about “When the Saints Go Marching In,” this touchstone for everything that made Louis Armstrong.

by Pico Since the New Orleans Saints is the Official™ NFL Team of Something Else, we were most bummed about the end of the team’s incredible winning streak last Saturday in the ‘Dome at the hands of the Dallas Cowboys. But we still remain hopeful that our boys in theRead More

December 17, 2008. That’s the last time a non-jazz record has appeared on a Quickies column. In the intervening half-year there’s been so many fresh non-jazz records that merits at least a few paragraphs, and sometimes the full fledged reviews can’t adequately cover ’em all. So guess what…it’s a QuickiesRead More

A tucked-away treasure, the Meters never found their own fame like Booker T. and the MGs. No matter. Let it be our secret. Our funky, funky secret.

Marcus Roberts has burst back onto the jazz landscape, 11 years after his last session, with “New Orleans Meets Harlem, Vol. 1” – one of the Florida-born pianist’s most celebrated recordings. A rich and explorative combining of styles from across the legacy, Roberts’ record nevertheless retains its uniquely Southern voiceRead More

by Nick DeRiso Benny Spellman’s “Fortune Teller,” a witty early-1960s story song, is one of my touchstone party records. Everything about it is perfectly New Orleans, from the pounding piano to this sizzling island-tinged percussion, from a group of yelping, mesmerizingly groovy R&B backup singers to its not one butRead More

by S. Victor Aaron John Scofield isn’t regarded as the top two or three jazz guitarists of the last couple of decades just because he’s such a great guitar player. The thing that sets him apart from almost all the others is his ability to play a different style ofRead More