As I await the release of Anthrax’s Worship Music, the band’s reunion with 1980s singer Joey Belladonna, I’ll try to drown out the soap-opera drama with changing lineups and re-records surrounding it by cranking up their last record You May Also Like: Anthrax, Sept. 23, 2016: Shows I’ll Never ForgetRead More

by Tom Johnson When a band has more than one “best of” in their catalog, it’s usually because one skimped on a portion of the band’s catalog that was really pretty signficant. This one, however, only fills in a few gaps of the previous best-of, Capitol Punishment, while mirroring aRead More

by Mark Saleski This is a certified jazz/funk/power trio bomb. With Vernon Reid on guitar, Jamaaladeen Tecuma on bass, and G. Calvin Weston on drums, there is not a flabby moment on this record. Many people know Reid from his fire-spitting days with Living Colour. If you weren’t paying attentionRead More

by Tom Johnson X equals 10 and V equals 5. So that’s 10 to the tenth power times 5 … carry the 1 … whatever. It’s higher math, but this was, believe it or not, the group’s 15th album. I’m going out on a limb here — I can’t imagineRead More

In 1991, as Ozzy Osbourne wrapped up his “retirement” No More Tours tour, it seemed unlikely that guitarist Zakk Wylde would record three more albums with him You May Also Like: Why You Should Count ‘No Rest for the Wicked’ Among Ozzy Osbourne’s Best

by Fred Phillips This is the song that should have been Warrant’s defining moment. You May Also Like: Left Lane Cruiser’s Bring Yo’ Ass to the Table amped up North Mississippi blues Richard Turgeon, “Learning to Fly” (2020): One Track Mind

A band reunites, and fans complain that the results don’t really sound like their older material. This time, Living Colour almost sounded too much like it.

by Tom Johnson It’s not so difficult to imagine Skinny Puppy continuing to exist through the mid-90s – most of the solo output of the members over that period actually sounded more like Skinny Puppy than the band’s own “final” album You May Also Like: Why Pop Will Eat Itself’sRead More

by Tom Johnson I like to think of Isis as the band that Tool wishes it could be. Call me jaded, but by this time, Tool had become entangled in plots created to baffle and obfuscate rather than intrigue and draw listeners in, being what they think is clever butRead More

by Fred Phillips When Johnny Cash came to work with Rick Rubin in the 1990s, American Records had another man in black already on the roster — Glenn Danzig. You May Also Like: Bob Seger and the Silver Bullet Band, “Boomtown Blues” from The Distance (1982): One Track Mind