by S. Victor Aaron I don’t pay a great deal of attention to what other jazz critics say about records as I probably should; chalk it up to laziness, I suppose. But even my lazy ass couldn’t help but notice all the interest in media circles buzzing around guitarist MaryRead More

By Mark Saleski Many years ago, while stuck in traffic during the evening commute, I heard a radio segment on microtonal composer Easely Blackwood. I had read about things like microtones, 24-note equal tunings, and the like, but somehow none of the music had ever made it’s way into myRead More