Released 10 years ago this week, Julian Lennon’s ‘Everything Changes’ emerged as the most assured release yet from an underrated pop melodist.

For those who bought a copy 30 years ago this month, and there weren’t many, Talk Talk’s ‘Laughing Stock’ led the way into an as-yet-unformed genre. You’re welcome, Radiohead.

The Jason Scheff co-written “Caroline” seems to be making the same old mistakes, until a key figure from Chicago’s modern era arrives to save the day.

“King of Might Have Been” really wants to go somewhere, and Chicago once again tries with painful obviousness to get it there.

Working with Rascal Flatts certainly wasn’t conventional. But at this point Chicago’s sails had been slack for more than a decade. They had nothing to lose.

The modern-era version of Yes has once again shown that they can do something pretty. Next time, guys, let’s dare to rock.

Even if you haven’t heard of Sonic Beat Records, you’ve heard Sonic Beat Records.

Released 10 years ago today, the textured ‘Le Noise’ landed somewhere between Neil Young’s acoustic work and his more muscular full-band rock music.

Released 15 years ago today, Death Cab for Cutie’s meaningful and idiosyncratic “Summer Skin” seems to be about youth, but really it’s all about growing up.

Released 40 years ago this week, ‘Drama’ served as a bridge between Yes’ ’70s-era prog sound and the approachable prog-pop from the decade to follow.