NICK DERISO: Before going out on his own, pianist Marcus Roberts learned an important thing from former bandleader Wynton Marsalis: This ability to use standards to create a context for original compositions. Marsalis had, at this point, moved away from all-original content into a tight embrace of the repertoire —Read More

Sometimes a record doesn’t smack you across the head on the first listen but at some point…maybe that 3rd or 4th listen…it hits you: “Damn! This is some well made, well played music!” That’s how it was with me for Joel Frahm’s new release, We Used To Dance. Frahm isn’tRead More

NICK DERISO: The story goes: Someone asked Fats Waller what jazz is. His reply? “If you don’t know, don’t mess with it.” Clarence “Gatemouth” Brown messed with it on “Just Got Lucky,” and with fine results. In fact, it seemed his string-bending solos found themselves most at home in theRead More

THE ASSOCIATED PRESS — Musicians in white shirts and black pants led a hearse carrying the body of clarinetist Alvin Batiste through the streets of New Orleans on Saturday, and hundreds of mourners attached themselves to the jazz funeral honoring one of the city’s most revered musicians. In the morning,Read More

by S. Victor Aaron Since the mid-sixties, jazz musicians have sought to combine electronic instruments with jazz to create something new and fresh sounding. The most obvious result of this mix is called fusion, but others have managed to do it taking different approaches that uses these instruments to actuallyRead More

NICK DERISO: Dug up from some old dusty box in brother Ira’s attic, this scratchy, other-worldly epiphany issued by BMG is remarkable for its ethereal emotion, ageless grace and surprising reliance on (gasp!) commercialism to push art. The first 12 tracks are acetates from “Music by Gershwin,” 15-minute radio programsRead More

NICK DERISO: This release came in the wake of an ambitious year that saw Connick issue both a big-band swing record and a three-piece jumping jazz record without vocals. Not only do I not have to tell you which one sold, I don’t have to tell you which style HarryRead More

The hard-punching Charles Thompson is best known, if he’s known at all now, as a deep-background member of the Coleman Hawkins/Howard McGhee band from this period. On “Takin’ Off,” however, Thompson’s frisky rhythm and round-house experimentation are a constant reminder of just how underappreciated he remains. Thompson wasn’t simply aRead More

Editor’s note: This column ran as part of an obituary package on the national Gannett News Service wire upon Dizzy Gillespie’s passing in 1993. People told him those bullfrog cheeks would ruin his playing. The embouchure, very important. Flinty, yet funny, John Birks Gillespie was insightful enough to understand thatRead More

A little more than a month ago I covered a self-released album by a Vancouver, British Columbia-based jazz-pop vocalist by the name of Heidi McCurdy. Heidi’s music is a prime example of the great singing and composing talent out there still unsigned and undiscovered by a record company. Fickle MindRead More