Now out in complete, remastered and legal form, ‘Poppin’ in Paris: Live at L’Olympia 1972′ should serve to get Cannonball Adderley’s final era the attention it deserves.

With James Brandon Lewis and the Son Lux rhythm section, Dave Douglas keeps pushing forward fresh ideas with that same old vigor he’s had from the start.

The Matthew Shipp Trio’s ‘New Concepts in Piano Trio Jazz’ further obliterates the line between composed and cursive, allowing for prettier melodic development while retaining all the element of surprise.

With ‘The Love Insane,’ Wabi Sabi learned new ways to piece together an LP, using various pieces recorded in various locations rather than having each other present.

Collaborating with Mark Helias and Tom Rainey makes ‘Truth Seeker’ a whole new, tantalizing artistic quest for Ivo Perelman.

Here is the video premiere of “When I Fall” from ‘A Canadian Songbook,’ the new album by Ernesto Cervini’s Turboprop.

By playing different songs after several more years of further developing their chemistry, Science Friction’s ‘No Tamales on Wednesday’ qualifies as a welcome official ‘new’ album by this long-defunct Tim Berne group.

By painting impressionistic portraits out of cues and basic figures for ‘Words Unspoken,’ John Surman got the best contributions from his quartet.

‘Cloudward’ offers a rare chance to see how Mary Halvorson’s music evolves when everything else is kept the same.

Craft Recordings’ new vinyl pressing of ‘Smack Up’ is flawless, a term that also describes this music from the late alto saxophonist Art Pepper.