by Pico I remember at least as far back as 1988 that South American grooves and contemporary jazz can and do mix together well. I was reminded of that harmonious blend again when I first spun up the new CD by New York electric guitarist and composer Nelson Riveros. TheRead More

One of the bigger regrets I’ve had with this site was missing the opportunity to review Rudresh Mahanthappa’s Kinsmen when it was released two years ago, because this saxman of Indian descent did such a brilliant job in combining traditional Indian music with traditional jazz. Last week, the debut albumRead More

by Mark Saleski, at Binghamton University, Vestal, N.Y. Oh dear, I was this close to feeling disappointed. I loved the Orchestrion concept and music so much that tickets were procured and a trip was planned (across southern New Hampshire, Vermont, and all the way out past Albany to Binghamton, NY)Read More

It’s ritual groove music time again. The Swiss pianist and bandleader Nik Bärtsch has broken musical ground with his Ronin outfit, pioneering jazz that’s melodically sparse and rhythmically robust. Not dance music but very funky, not piano bar jazz but very soothing, Bärtsch and his crew create paradoxes that resolveRead More

by S. Victor Aaron When we last visited a George Benson recording, it was about his remake of the still fresh-out-the-oven Abbey Road. Fast forward seven years later, to 1976: Benson had just ended his long and artistically successful stint with CTI Records, having been enticed back to the majorsRead More

by S. Victor Aaron OK, I relent. I was forced by the overwhelming evidence to do it. I had to create a new tag “Houston TX” because even though we’ve long had a “Texas” tag, the richness and diversity of good music originating from the Space City was more thanRead More

by Pico A couple of months ago, Robert Branch self-released an appealing little guitar fusion record that you just might to pay attention to if guitar fusion is your thing. But first, a short introduction to the man behind the album. Robert Branch grew up in Ft. Worth TX, butRead More

by S. Victor Aaron When I lived in a college dormitory, a guy down the hall from me turned me on to this ECM record Silent Feet by Eberhard Weber. The two long tracks and the one even longer track were entrancing to me, like going on this audial odyssey.Read More

photo: Don Getsug by S. Victor Aaron Unless they have already been a key player in an established band, debut album of jazz solo artists tend to be uninspired affairs. Not yet finding their own identity, these neophytes often fall back on mimicking their major influences, making very competent butRead More

photo: Jason Quigley by S. Victor Aaron Although we don’t really cover indie rock on our little corner of the blogzine world, I’m often intrigued by musicians who approach jazz from the indie angle. They don’t swing and they usually don’t try to dazzle with labored technique. Most times theRead More