There are certain names that signify quality in a musical release, and there’s a bunch gathered on McCoy Tyner’s ‘Guitars.’

There are records that are frankly too loud to be jazz, and swing too much to be rock. This is the slot for those things — a place where you’ll find everyone from Tony Levin and Derek Sherinian from Black Country Communion to Nels Cline and Bill Frisell. Click throughRead More

There’s a problem with any list that attempts to rank players as if one is ‘better’ than another.

A huge find. Drummer Motian employed two saxes (Joe Lovano, Jim Pepper), bassist Ed Schuller and Bill Frisell (before he was really Bill Frisell, if ya know what I mean). OK, that’s not quite right about Frisell. He does use a volume pedal to get that attackless sound. But there’sRead More

by Tom Johnson I have to be forgiven if I refer to this album as sounding like Frisell “getting back to his roots.” His roots, to me, are not necessarily his original sound but where I picked up with this great guitarist — the era in the early to mid-1990sRead More

Here’s a look back at the Top 10 stories from last month on SomethingElseReviews.com, based on page views from our readers. No. 10 — THE MEKONS – ANCIENT AND MODERN: Only a band like the Mekons could make something like Ancient and Modern, this whipsawing triumph of country contemplation andRead More

‘All We Are Saying’ feels so connective because of guitarist Bill Frisell’s willingness to simply let things happen – to accept life as it goes.

I like this idea: that on any given evening there’s a decent chance that there’s a man on the eastern coast of England, sitting in the wheelhouse of his refurbished 1930’s era lifeboat You May Also Like: Bill Frisell’s Timeless ‘Live’ Opened Up a New Musical World for Me

Find out how a late-night movie in an Oslo hotel room sparked one of Bill Frisell’s more interesting cover tunes.

Bill Frisell discusses his John Lennon tribute project, notable career moments – and how to craft a signature sound out of what you can’t do.