Just two elite guitar players having fun with their immense talents, and it’s hard not to share in that fun as listeners.

We interview Nels Cline, who is set to release a guitar summit meeting with Julian Lage called ‘Room.’

‘What I Heard’ is a fresh and original approach to organ jazz that only the alto sax avant-garde legend Oliver Lake can conceive.

You got to come on, man, and take a piece of Mr. Nathan Parker Smith’s band.

‘The Signal’ is bold, personal and completely lucid audio art from Elizabeth Shepherd. It wouldn’t be overstating it at all to assert that this is the most important vocal jazz record of 2014.

Webber laid bare her compositions, leaving it in a few, capable hands and in doing so, made them flourish.

It doesn’t matter if the experimental music is being rendered by electric guitar or banjo, Seabrook uses technology, virtuosity and a deviously fertile mind to blow the minds of anyone who comes across these recordings. ‘Sylphid Vitalizers’ expands the world of what is possible with a banjo. And guitar, too.

“Revolution 9” remains as big a mystery today as it was the moment it appeared on the Beatles’ 1968 self-titled album.

This doesn’t often sound like big band music, as Fujii draws from every impulse at her disposal.

They gathered for five days at this countryside studio in Finland, plugging in and recording whatever happened. You May Also Like: Projekt Gemineye, “Sacred Sons” from ‘In the Year 3073: Book II’ (2020): One Track Mind Los Lobos – ‘Native Sons’ (2021)