Everybody digs Nicole Mitchell. They love her in sweet hometown Chicago and all the critics in New York love her, too. Heck, even we discerning types at SER have taken a shining to her. She’s the consensus top flautist in the jazz world, she’s got a new record out, Awakening,Read More

New Life arrived amidst much anticipation of something in keeping with drummer Zigaboo Modeliste’s mythically groovetastic tenure with the Meters. And, bless him, I got it. But that wasn’t all. Take the title track. “New Life” doesn’t mimic the expected grease-fire funk of his old band, so much as forcablyRead More

Guitarist-composer Chris Taylor, at once, brings in familiar fusion influences like Weather Report, Pat Metheny and the Zawinul Syndicate, even while adding these fearless flashes of next-gen electronics — samples, voices, weird keyboard programming, chants, scronks, blips, scratches. It’s jam-packed with aural pokes, the kind of album where Taylor, frontingRead More

When ZZ Top, tearing through “Waiting for the Bus,” howls “have mercy!” in tandem, I’m right there with them. You May Also Like: ZZ Top’s “El Diablo,” “Thunderbird,” “Rough Boy” + Others: Gimme Five

From the first honking strains of Roger Lewis’ sax on “The Treme Song,” amidst a howling group of happy singers led by David Montana and Fred Johnson Jr., the intentions of Treme Traditions are clear: Party. This album is like a street parade crammed inside of a shiny disc, courtesyRead More

Annie Dressner’s voice has a twilight poignancy, this majestic loneliness, and nowhere on her forthcoming release Strangers Who Knew Each Others Names is that more true than on its title track. You May Also Like: No related posts.

With nearly 1,800 posts under our belt, we at SER have covered a whole lot of different styles, players and instruments, but based on a cursory search, I haven’t found a single piece where a harpist is the featured musician. We now have that covered: meet Iro Haarla. You MayRead More

Putting together a luxe coffee-table book honoring the city of his birth clearly got Irvin Mayfield in a nostalgic mood. You May Also Like: The Blind Boys of Alabama’s Down in New Orleans added a new musical wrinkle New Orleans at 300: In Search of Jazz

Mathias Eick’s warm, pure trumpet tone sounding almost like a brassier counterpart to fellow Norwegian Jan Garbarek makes Eick a perfect addition to the Scandinavian squadron of the ECM army. You May Also Like: Jakob Bro, with Arve Henriksen + Jorge Rossy – ‘Uma Elmo’ (2021) Jan Garbarek Surged OutRead More

It used to be that when we used the term “punk jazz,” we were referring to Jaco Pastorius. Let’s face it, the man was a jazz bass revolutionary. You May Also Like: Three-Layer Cake [Brandon Seabrook, Mike Pride + Mike Watt] – ‘Stove Top’ (2021) Brandon Seabrook, Cooper-Moore + GeraldRead More