If, as they say, the third time’s the charm, what does that make the fourth time? If it’s concerning a collaboration by tenor saxophonist Ken Fowser and vibraphonist Behn Gillece, it’s even more so the charm. You May Also Like: Ken Fowser – ‘Right On Time’ (2019)

As it continues a series of reunion concerts, Fleetwood Mac is previewing some original music — its first in a decade — including the newly composed “Sad Angel,” as well as an unreleased demo from the Buckingham Nicks sessions. You May Also Like: No related posts.

If his last album seemed to be about coming to terms with John Lennon, both the good and bad of their often estranged relationship, Julian Lennon’s new single “Someday” is about rushing toward that shared legacy — and pulling it in close. You May Also Like: No related posts.

When I think of Finnish jazz, I tend to think of cutting edge electro-acoustic, outside or world fusion jazz. Shame on me, because there’s also prime good ol’ American mainstream acoustic jazz coming out of this Nordic country You May Also Like: Matthew Shipp Trio – ‘New Concepts in PianoRead More

Hey y’all, it’s Sunday. How about some church music? An inspiring sermon of hymns set to soul jazz is being delivered by the pastor of The Breñas Community Church in Vega Alta, Puerto Rico, and the hymnbook is called Full Circle. You May Also Like: No related posts.

Jaimeo Brown’s work on the forthcoming Transcendence reflects the stirring continuity of traditions, as Deep South gospel is melded with blues is melded with jazz is melded with rock is melded with hip hop is melded with electronica. You May Also Like: Chris Potter – ‘Circuits’ (2019)

There’s a reason Deep Purple never previewed any of the new music on What Now?!, despite appearing in such high profile settings as the Dubai Jazz Festival in the run up to their forthcoming LP’s April 30, 2013 release. You May Also Like: No related posts.

Round one of Queensryche vs. Queensryche, much to my astonishment, goes to Geoff Tate – but by the very narrowest of margins.

Dave Douglas, the much-feted trumpeter who’s known to make such forward-looking albums such as The Tiny Bell Trio, Freak In, Strange Liberation and Moonshine, has lately made a tactical retreat to the basics. You May Also Like: Dave Douglas, Uri Caine + Andrew Cyrille – ‘Devotion’ (2019) Dave Douglas withRead More

The Only Way To Go Is Straight Through begins like a train grinding to a sparks-throwing stop — except it never stops. It just keeps throwing sparks, keeps getting louder, and brighter, and closer. You May Also Like: Tom Abbs and Frequency Response – Hawthorne (2018)