Omar Dykes clearly possesses a deep-seated passion for the rumbling joys of old Howlin’ Wolf records — both his gruff howl, and the work of his flinty guitarist Hubert Sumlin. Luckily, he doesn’t let that passion turn into mimicry. You May Also Like: How ‘London Howlin’ Wolf Sessions’ Gave BoomerRead More

If you thought Jon Oliva’s debut solo album would sound like Savatage or Jon Oliva’s Pain, you’ll be disabused of that notion right from the top. The album opens with the title track, which sounds like nothing you’ve ever heard You May Also Like: Archon Angel – ‘Fallen’ (2020)

“Fusion jazz” is one of my favorite genres because it can encompass the intelligent, episodic prog rock of Guapo, forward-thinking world fusion of Maira Marquez or plain fun instrumental music of Rock Candy Funk Party. You May Also Like: Scary Goldings, feat. John Scofield – ‘IV’ (2021)

It’s been a long time since I’ve listened to Wrecking Ball. For going on a year now, it’s been riding around with me in the car, never making it into the player. Why? I just can’t. You May Also Like: No related posts.

Its very name speaks to the old ways, and keeping them as they always were. And for a long time, maybe too long, that’s the way it’s been with the Preservation Hall Jazz Band. Until now. You May Also Like: The Blind Boys of Alabama’s Down in New Orleans addedRead More

In years past, I’ve called this the “whack jazz” list and this time we’re going to call it “avant garde and experimental jazz,” but any music that goes too far outside the bounds of convention gets lumped into its own category. You May Also Like: Marc Ribot’s Ceramic Dog –Read More

Abigail Riccards has decamped to Chicago, where she continues to ply her trade as an intimate and involving singer — not to mention a respected educator. But time spent in New York, which exposed her to the work of Artsrides, still resonates. You May Also Like: No related posts.

When Billy Bang walked into a Helsinki studio in February of 2011 with trombonist Dick Griffin, pianist Andrew Bemkey, bassist Hilliard Greene and drummer Newman Taylor-Baker, he would be recording for the last time. You May Also Like: Matthew Shipp Trio – ‘World Construct’ (2022)

I’m pretty picky about my country and Southern rock listening, and to be honest, I don’t explore it as thoroughly as hard rock and metal. You May Also Like: Shooter Jennings – ‘Shooter’ (2018) How Black Country Communion’s Debut Brought Back ’70s-Style Hard Rock

For more than two decades, singer, songwriter and multi-instrumentalist Phil Angotti has been making people smile, hum and dance to his melodic marvels. You May Also Like: Bill Lloyd – Feeling the Elephant (1987): Forgotten Series