Beatles drummer Ringo Starr has taken his share of knocks over the years. But we’d like to give the former Richard Starkey his due.

Sometimes, we need reminding that Chicago was once a rock/jazz/blues/R&B/whack jazz band masquerading as a mainstream rock band.

Note: This is a slightly abridged version of the inaugural article in the long-running “Whack Jazz” series, first appearing on July 11, 2006 on a forerunner site to the Something Else! webzine. Machine Gun remains to me the gold standard for all thrash-jazz records, one that all other such albumsRead More

News that the Beach Boys were contemplating a reunion to celebrate the band’s 50th anniversary (or not?), got us to thinking … Think Beach Boys, and many remember a group perhaps irrevocably reduced by its tragicomic storyline. Admittedly distracting plot points, beyond the 36 Top 40 hits (most of anyRead More

by Nick DeRiso Bassist Charles Mingus, an enlightening yet stormy presence, clearly felt he had unfinished business with some of his earlier work. So, he used “Mingus Mingus Mingus Mingus Mingus” and a move to the more creatively open Impulse! label to take another pass at them. That turned intoRead More

by Nick DeRiso Julian “Cannonball” Adderley, a spirited, bluesy and always fun performer, seemed to burst out from a series of early live recordings during a period when that was rare. In the late 1950s and early 1960s, there were just too many logistical nightmares, from getting good takes inRead More

by Nick DeRisoThough Jimmy Smith is the principal voice of the Hammond B-3 in jazz, finding an entry point in his long discography can be difficult. Some might argue for 1956’s “At the Organ,” featuring Cedar Walton, Pepper Adams and Chick Corea. For me, though, that one doesn’t pop withRead More

by Nick DeRiso More musical journey than greatest hits, per se, “Let It Roll” is a primer on George Harrison for those who never got past his time with Beatles — and yet a still-intriguing way to reexperience some of his best solo cuts for those who followed along afterRead More

Crosby, Stills & Nash hadn’t produced a new studio record in fifteen years (or ten, if you add Neil Young), but there hadn’t been a more active period of release activity of new/previously unheard material by these three than there have in the last few years. David Crosby and GrahamRead More

by Nick DeRiso Benny Spellman’s “Fortune Teller,” a witty early-1960s story song, is one of my touchstone party records. Everything about it is perfectly New Orleans, from the pounding piano to this sizzling island-tinged percussion, from a group of yelping, mesmerizingly groovy R&B backup singers to its not one butRead More