Cheap Trick – Cheap Trick (1977); We’re All Alright! (2017): Shadows in Stereo
Cheap Trick’s ‘We’re All Alright!’ does what so few late-career albums are able to do: tap into what made a band great in the first place.
Cheap Trick’s ‘We’re All Alright!’ does what so few late-career albums are able to do: tap into what made a band great in the first place.

Jazz Dispensary reissues two early 70s documents of explorative jazz: Gary Bartz NTU Troop – ‘Harlem Bush Music – Uhuru’ (1971) and Joe Henderson feat Alice Coltrane – ‘The Elements’ (1973)
“Straight for the Heart” appears to be a straight-forward rock-pop single, but Toto always adds a level of sophistication to make their songs different.

‘Expedition’ continues a long, provocative journey taken by Denny Zeitlin and George Marsh along the innovative frontier of jazz.

Chris Robinson Brotherhood’s ‘Barefoot In The Head’ doesn’t ape the Black Crowes or the Grateful Dead. It takes the best of both and runs it through its own carefree filter.
Let’s start by saying jazz-fusion normally isn’t my cup of tea, so Chicago’s lengthy instrumental “Devil’s Sweet” came as a surprise.

“Dream Girl” is a effective gateway to the heart of Desmond White’s ‘Glace.’

The fun, dexterous jazz pianist Jason Lyon has just ended his well-received six-year residency at Toulouse Lautrec in London. Now what?
An often-overlooked Yes classic, “Changes” is a testament to a how great the band was during the Trevor Rabin era.

Displaying their broad musical range, Ann and Nancy Wilson remind us why Heart is considered the foremost interpreters of Led Zeppelin.