“A Thousand Years” offered a glimpse into Toto’s growth and aspirations, as they began the run home on 1988’s ‘The Seventh One.’

By not limiting himself within a narrow concept and exploiting a multiple of possibilities presented by the larger sextet, Vijay Iyer’s variety of tactics benefit ‘Far From Over,’ making this an insightful window into his wide-ranging capabilities.

“Happy Man’ is the least-bombastic vocal Peter Cetera ever recorded with Chicago, and I’m including “If You Leave Me Now.”

“Why Did It Die?” The Beatles did not write and record a song with that title — right? In truth, they did.

I didn’t get decked, and I did ask Glen Campbell to sign my album.

Was the performance at the YEStival in Baltimore epic? The answer is Yes!

Just as Nellie Bly was able to show what a woman is capable of when gender barriers are confronted or outright ignored, Sam Boshnack is an example of a growing number of women leading a resurgence of creativity in jazz.

“Leave It,” the second single from 1983’s ‘90125,’ ranks as one of Yes’ most oddball tracks. But what a glorious oddball it is!

‘Fountain Of Youth’ has the energy and enthusiasm of someone striving to make his mark, but with the discernment of the accomplished veteran that Weiskopf is.

There’s a sense of more development and intrigue to come as Gareth Lockrane’s ‘Fistfight at the Barndance’ mixes musical atmospheres and essences.