Death Cab for Cutie, “Summer Skin” from ‘Plans’ (2005): One Track Mind
Released 15 years ago today, Death Cab for Cutie’s meaningful and idiosyncratic “Summer Skin” seems to be about youth, but really it’s all about growing up.
Other News
Bob James – ‘Once Upon a Time: The Lost 1965 New York Studio Sessions’ (2020)
Bob James’ ‘Once Upon a Time’ helps to complete our understanding of an artist far more adventurous than his popular works come close to suggesting.
Chicago, “Runaround” from ‘Chicago 19’ (1988): Saturdays in the Park
One of five original compositions on ’19,’ “Runaround” proved they had pop/rock sensibilities but could still sound like Chicago.
David Garfield, “Sir Charles” from ‘Stretchin’ Outside the Box’ (2020): One Track Mind
The last thing jazz enthusiasts have any right to ask for is new music from the prolific David Garfield. But this single is just the musical medicine we need.
Max Bessesen, “Mayhem” from ‘Trouble’ (2020): Something Else! video premiere
Here is the video premiere of saxophonist Max Bessesen’s “Mayhem,” from his upcoming album ‘Trouble.’
Yes, “Believe Again” from ‘Heaven and Earth’ (2014): YESterdays
The last Yes studio project to date has a lot going for it, yet fails to reach the heights expected of the world’s greatest progressive rock band.
Hervé Perez – ‘PLGD’ (2020)
Hervé Perez’s ‘PLGD’ is made for ears thirsty for completely new sounds, even for those ears who think they’ve heard it all.
Rachel Therrien: The Albums That Shaped My Career
Rachel Therrien, the rising trumpet and flugelhorn player, joins Ross Boissoneau to discuss Archie Shepp, Freddie Hubbard and Woody Shaw, among others.
Henrik Cederblom – ‘Zobop’ (2020)
A melodic hybrid of Swedish folk/jazz-rock, Henrik Cederblom’s ‘Zobop’ serves as a much-needed musical life jacket.
Chicago, “What Kind of Man Would I Be?” from ‘Chicago 19’ (1988): Saturdays in the Park
Jason Scheff does a lot better delivering songs emotionally when he writes or co-writes them. Chicago’s “What Kind of Man Would I Be?” is a perfect example.
