Experiments with combining these two worlds on the fly can be a risky proposition but BLOOP (Lina Allemano and Mike Smith) have it all figured out and the ‘Proof’ is in the pudding.

The frustrating part about Chicago’s underrated ‘Night & Day: Big Band’ is that not many people – even long-term fans – ever heard it.

Toto co-producer CJ Vanston joins Anthony Sonego for the conclusion of a three-part talk, this time discussing his collaborations on 2015’s ‘Toto XIV.’

Those who seek to pigeonhole music – this is jazz, that is pop, this is hip hop – have their work cut out with Chase Ceglie’s ‘Fear and Love, Together.’

The wordless performances on key recordings from Duke Ellington to Pink Floyd are sublime, ethereal, haunting, atmospheric, anything but ordinary.

Kenneth Kirschner and Joseph Branciforte feed human musical ideas into computer algorithms using an elaborate set of rules and a dash of randomness to generate fully notated compositions.

‘Frampton Forgets the Words’ makes the argument that if he hadn’t become a star, Peter Frampton would have been better appreciated for his guitar work.

Mark Owen and Cam Tyler step from behind the boards long enough to collaborate as Cryptic Cadet.

Contemporary jazz often gets slammed for being too smooth or emphasizing melody in lieu of improvisation. Reza Khan’s ‘Imaginary Road’ puts the lie to that.

A staple of the early Yes shows, “Something’s Coming” may not have been an original work but its title would prove prophetic.