Don’t get me wrong, I love jazz guitarists who derive their inspiration from guys like Wes Montgomery, Kenny Burrell and Pat Metheny, but it’s so refreshing to hear a new guitarist come along who excels by taking the road less traveled. That’s former child prodigy guitarist Julian Lage, who seemsRead More
South Carolina’s Stella by Starlight is an entertaining electropop amalgam of modern and distinctly old-school sounds, one part mixtape-from-your-dad’s-vinyl-collection and another part post-modern-hipster-songcraft. You May Also Like: Eri Yamamoto, Chad Fowler, William Parker + Steve Hirsh – ‘Sparks’ (2022)
by Tom Johnson King Crimson has been a chameleon throughout its four decades of existence, not just shifting to reflect the times but also acting as a sort of quality-assurance agent You May Also Like: No related posts.
by Mark Saleski Why do people hit a musical wall at a certain point in their life? They stop listening to anything put out after their high school (or college) years. Worst of all: they just stop listening. Music is no longer a part of their life. You May AlsoRead More
Sherman Ewing’s Single Room Saloon arrived with a sound that is at once intuitive and raw, but somehow well-worn and familiar, too. You May Also Like: Fernando Perdomo, progressive rocker: Something Else! Interview
John Adam’s deeply emotional ‘On the Transmigration of Souls’ is difficult, and not just because it’s a classical operatic piece of the minimalist school.
This double-album set features late-period performances by the Jazz Messengers found years after Art Blakey passed away.
More than any other track from their debut album, “Only a Fool Would Say That” points the way to what Steely Dan would evolve into.
Stan Kenton would have been 100 this year and, in many ways, he’s as misunderstood now as he was in his own time. You May Also Like: 14 Jazz Orchestra, Jazzrausch Bigband + Grand Rapids Jazz Orchestra: Big Bands on Different Paths
A band suspended forever between the formalism of Dennis DeYoung’s Broadway pretensions and the harder-edged banalities of James Young and Tommy Shaw, Styx sounded different every time it came on the radio. Yet, critics insisted, somehow the same: Mediocre. You May Also Like: No related posts.
