by Tom Johnson My dad introduced me to Robert Cray long ago and, even into a new century, little had changed with Cray: He was still putting out dependable, if unspectacular, albums of his smooth brand of blues — a sound that fills in that overlooked category of music thatRead More

Just as Mike and the Mechanics’ “The Living Years” reminds me of my father, there’s now a song that brings fond thoughts of my dear mother, to whom I dedicate this song. During this time of year, a lot of us reflect a lot on what our mother means toRead More

by Tom Johnson Bassist Tony Levin has made an incredible career for himself backing some of the finest musicians in the world, but his most notable contributions have been with Peter Gabriel and the ’80s and ’90s incarnations of King Crimson. He left, then returned around this time when TreyRead More

I don’t know how many Steely Dan fans are also into country music, but “Brooklyn” showed the two seemingly opposed passions could co-exist quite nicely.

Where’d saxophonist Chris West get this groove? The undulating downtown streets of New Orleans, of course. Sassy and just plain nasty at times, “Where I Got This Groove” is like a sweat-soaked traipse across that city’s legendary Vieux Carre’. They start with drummer Justin Amaral’s slapping second-line groove, then addRead More

Critics hung soft rock around their necks, but Toto was never so easily identifiable.

The lithe, understated pianist Lisa Hilton has led a dozen dates, and Underground is record no. 13. There’s a nocturnal ambience about her brand of jazz, one she seems to play up with past album titles like Cocktails at Eight…, Jazz After Hours, Midnight in Manhattan and After Dark. Moreover,Read More

The 32nd annual Blues Museum Awards ceremony was held Thursday night at the Memphis Cook Convention Center. Produced by the Memphis-based Blues Foundation, the event belonged to Buddy Guy. You May Also Like: Denise LaSalle, Soul-Blues Belter (1939-2018): An Appreciation How Levon Helm Turned ‘Dirt Farmer’ Into a Rootsy, ThrillingRead More

Dominated by a dreamy wah-wah from guitarist Kyle Sclafani, Mia Borders’ “Try Me On” initially brings to mind all of the big-hat-wearing, too-tall-bootsy joys of 1970s funk. When her lyric, which starts out sexy and tough, gives way to Adam Matasar’s throwback turn on the Fender Rhodes, the lava-lamp lightningRead More

Pianist Benny Green’s aptly titled new release Source can come off as a familiar conversation, since it’s filled with a number of jazz music’s notable voices — most of them, no surprise, key influences on his work. You May Also Like: Chicago + Al Green, “Tired of Being Alone” (1973):Read More