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Gimme Five: Toto’s Steve Lukather on "I Won’t Hold You Back," "99," "I’ll Be Over You"

On this special edition of Something Else! Reviews’ One Track Mind, we hand the reins over to Toto co-founder and legendary sessions guitarist Steve Lukather. He provides insight into “I Won’t Hold You Back” and “I’ll Be Over You,” You May Also Like: Steve Lukather, “Someone” from ‘Bridges’ (2023): OneRead More

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Half Notes: Rufus Wainwright – Release The Stars (2007)

by Tom Johnson I am convinced that Wainwright is this generation’s finest melodist. I can’t think of a single young artist who so beautifully crafts vocals in such a way that it simply doesn’t matter what he’s singing about: You just want to hear the melody he’s singing. And thereRead More

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Steve Lukather, of Toto: Something Else! Interview

Steve Lukather discusses the complicated history of Toto’s lead singers, and why he still keeps a copy of ‘Meet the Beatles’ in heavy rotation – even today.

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One Track Mind: Karrin Allyson, “April Come She Will” (2011)

Grammy-nominated singer and pianist Karrin Allyson starts “April Come She Will” in the same melancholy mood as the Simon and Garfunkel original, then pushes the tune into a gently swinging cadence. That rhythm, trickling along like a babbling brook, contrasts nicely with her wood-grained, country-inflected delivery of the lyric —Read More

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Something Else! sneak peek: Aaron Comess, “Past, Present and Future” (2011)

If “Past, Present and Future” from drummer/composer Aaron Comess, a founding member of the Grammy-nominated, 10-million album-selling Spin Doctors, sounds like two people talking at once, that’s kind of the point. You May Also Like: Zig Zag Power Trio, Aaron Comess, Sofia Trio + Others: Five for the Road MarkRead More

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Half Notes: Pat Casey and the New Sound, "Canteloupe Island" (2010)

We’ve heard this all before, right? Not exactly: The New Orleans-based Pat Casey opens the second of two interpretations of Herbie Hancock tunes with a gurgling bass before Rex Gregory and Ashlin Parker join in with on sax and trumpet, respectively, to restate the swinging, salacious, but by now unfortunatelyRead More

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Popa Chubby – Stealing the Devil's Guitar (2006)

by Derrick Lord It has long been the first trap any musician must jump once they hit it big. A successful record means a lot of people hear your music and from that point on you have a decision to make You May Also Like: Greg ‘Stackhouse’ Prevost – UniversalRead More

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Matana Roberts – Live In London (2011)

A few years ago when I sat down and took a stab at identifying some up and coming women in a world of instrumental jazz still dominated by men, one of those ten names that came to mind was avant garde saxophonist Matana Roberts. After moving to NYC from herRead More

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Booker T. Jones – The Road from Memphis (2011)

His name is linked forever with the town, and the sound, of Memphis. But Booker T. Jones’ influence moves beyond Beale, into hip hop and today’s rhythm-and-blues — something that’s underscored on The Road from Memphis You May Also Like: No related posts.

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Half Notes: Ahmad Jamal – Ahmad's Blues (1958)

Ahmad Jamal originally recorded this concert at The Spotlite Club, in Washington, D.C., on Sept. 6, 1958. Featured is the same terrific trio that had that Top 40 hit with “Poinciana” — Jamal, bassist Israel Crosby and drummer Vernel Fournier. That signature song, which charted for 108 weeks (then unprecedentedRead More