Bill Frisell, Matt Chamberlain, Lee Townsend and Tucker Martine – Floratone II (2012)
Floratone to Bill Frisell is a lot like what the Fireman is to Paul McCartney: a way to break outside of usual comfort areas.
Floratone to Bill Frisell is a lot like what the Fireman is to Paul McCartney: a way to break outside of usual comfort areas.

If Rip Van Winkle were a country music fan waking up today and flipping on the radio, he’d probably be just as confused and lost as the character in Washington Irving’s classic tale. You May Also Like: Shooter Jennings – ‘Shooter’ (2018) How Black Country Communion’s Debut Brought Back ’70s-StyleRead More

Bruce Springsteen’s religious stance has always been a little murky to me, though his recent comments suggest that it’s hard to shake off those early experiences with Catholicism. You May Also Like: No related posts.

Chicago and the Doobie Brothers are teaming up for a massive summer tour, set to kick off July 11 in Tuscon, Arizona. You May Also Like: Button [Featuring Members of Doobie Brothers + Chicago] – Button (2018) Why You Shouldn’t Overlook the Doobie Brothers’ ‘What Were Once Vices Are NowRead More

Toto and Eminem don’t intersect very often, maybe not at all. Until now You May Also Like: Toto, “Oh Why” from ‘Old Is New’ (2018): Toto Tuesdays

With the death of Hank Jones a couple of years ago, Ahmad Jamal might now be considered the dean of jazz pianists, but in all likelihood, he’s long been more influential You May Also Like: Nick Millevoi – ‘Moon Pulses’ (2024) Denny Zeitlin – Wishing On The Moon (2018)

This begins, as most blues albums do, with a stamping rhythm and this heartfelt lyric in celebration of a bunch of stuff that’s not good for you. Only then, that chewed-clean template is joined by these bright blasts of shiny brass newness. You May Also Like: Alister Spence and SatokoRead More

Mark Lindsay, coming off a career-making period as frontman for Paul Revere and the Raiders, proceeded to reel off a string of solo hits for Columbia in the early 1970s — only they had little, if anything, in common with the initial fancy-pantsed garage-rock outbursts of his old band. ByRead More

Waylon Jennings and Willie Nelson took the stage of the 1983 US Festival as confirmed crossover country stars — but without all of the sell-out slickness that’s attached to the term these days. You May Also Like: Willie Nelson Found a Worthy Foil on the Diverse, Rootsy ‘Willie and theRead More

Yessir, the world is sure full ‘o problems, but our Mr. Springsteen knows that there’s still room for some old-fashioned lust. You May Also Like: Reevaluating Bruce Springsteen’s ‘The Wild, the Innocent and the E Street Shuffle’ How Bruce Springsteen’s ‘Tunnel of Love’ Dug Deeply to Find Hard Truths