New York City circa 1958, for the jazz aficionado, was the place to be. Possibly no other artifact can confirm this statement with more clarity than photographer Art Kane’s landmark portrait A Great Day in Harlem. You May Also Like: Esquire featuring Nikki Squire, “Ministry of Life” (2016): One TrackRead More

Paul McCartney, sitting in a plane waiting to return to his native England, saw the smoke rising from the Twin Towers on Sept. 11, 2001. The son of a volunteer firefighter during the German Blitz of World War II, McCartney was moved to assemble an all-star concert You May AlsoRead More

The Cure, appearing at this year’s Bestival, offered a fibrous retrospective — tearing its textured later gothy efforts down to a nervy, straight-forward post-punk vibe that recalled the group’s breakthrough triumphs. You May Also Like: How I Belatedly Learned to Love the Cure’s ‘Wish’

Ellis Marsalis’ ‘New Orleans Christmas Carol’ is a showcase for the underexposed patriarch of the city’s first family of jazz, and a record of sumptuous charm.

There’s something at once familiar, and entirely brand new, about Turkish drummer Ferit Odman’s just-released Autumn In New York. Taking his cue from jazz drumming and bandleading legend Art Blakey, Odman investigates a series of tunes associated with the Blakey band, and even includes former members of the Jazz MessengersRead More

Could Christmas get any cooler than a collaboration between Lemmy and Billy Gibbons on a Chuck Berry tune? You May Also Like: How Dave Grohl Surprised Everybody With That Paul McCartney Collaboration

Here’s a run down — with a few of our thoughts — on some notable music projects, both new and reissue, slated for release for the week of Dec. 6, 2011. You May Also Like: No related posts.

They’re a wonder hit wonder band, but what a hit it was! It was late in 1967 when the Human Beinz landed the charts with a rollicking cover of “Nobody But Me,” which was originally recorded by the Isley Brothers. You May Also Like: T. Rex, the Monkees, Tame Impala,Read More

For some reason, this tune has launched many over-the-top moments for me at E Street shows. There’s just something about the energy profile early in the song that creates the perfect channel You May Also Like: Reevaluating Bruce Springsteen’s ‘The Wild, the Innocent and the E Street Shuffle’

Here on the new album from Sarah Maisel, we’re serenaded with interpretations from a broad scope of genres. The method in which Sarah performs these tunes is strictly that of the easy-listening mold. But what causes the songs to be different from the usual undertakings of such a style isRead More