Pat Martino + Jim Ridl, “The Phineas Trane” from Nexus (2015)
Pat Martino was moved to pick up the guitar again after hearing Jim Ridl, and that deep connection is thrown into high relief on this standout track.

Pat Martino was moved to pick up the guitar again after hearing Jim Ridl, and that deep connection is thrown into high relief on this standout track.

“Universe-sized Arms” is a strange-bird of a song, so much like the earliest of Chris Stamey’s triumphs but also like something else entirely.

Released this week in 1981 as part of ‘Modern Times,’ “Find Your Way Back” represents the zenith of Jefferson Starship’s heavier-rocking period.
“Baby’s in Black” signaled the Beatles’ rapidly growing interest in musical experimentation, even as it showcased the Lennon-McCartney bond.

“Hell to Pay” doesn’t represent the rootsy Bonnie Raitt pushing Boz Scaggs into a new direction, so much as reminding him from whence he came.
The sweeping, deeply inspiring “Rise” keeps the synths, even as Todd Rundgren begins looking outward rather than inward.

William Shatner’s bold, brilliant ‘Has Been’ rocks with a wild abandon. Even the ballads are forceful enough to bring a Vulcan to tears.

“Might As Well Smile” explores a new kind of song for Beth Hart, part of a new kind of album – one framed by hope, rather than pain.

To be played at “annoy the neighbors until they call the cops” volume, ‘Here Are The Sonics!!!’ contains the work of accidental geniuses.

Joey Calderazzo’s “Mike’s Song” keeps his fallen leader Michael Brecker’s spirit alive and strong with nary a single note blown from a horn.