Crunchy where they might have been folky before, the Indigo Girls’ punchy “Happy in the Sorrow Key” simply pulls no punches.

Paul McCartney’s underrated “What You’re Doing” foreshadows how the Beatles would test the limits of rock later in the 1960s.

Graham Parker and the Rumour returned after three decades as if nothing had changed. Everything had changed, of course. Well, except for these guys.

Bluey’s new tune “Saints and Sinners” doesn’t get the point across from the lyrics alone: the music delivers, too.

Here is a review of trumpeter Jeff Oster’s new groove-laden new age release ‘next’, featuring Nile Rodgers, Chuck Rainey and Bernard Purdie.

A promising-but-still-transitional composition from Jon Anderson, Bill Bruford and Chris Squire, “Harold Land” points to bigger things from Yes.

Percy Sledge has died at 73 having long been dubbed a one hit wonder. But that one hit – “When a Man Loves a Woman” – was a wonder, indeed.

Countless great bands from the ’60s have reunited, but only a small percentage have been able to replicate their initial spark like the Doughboys.

Fleetwood Mac’s ‘Tango in the Night,’ released this week in 1987, grew out of another trampled project by Lindsey Buckingham. He’d be gone for 10 years afterward.

Steve Hackett’s ‘Wolflight’ is the sound of an artist who’s taken a loving look back, only to realize he still has room to grow.