Why ‘Endless Wire’ Should Have Been the Who’s Final Farewell
Released 15 years ago this week, the Who’s ‘Endless Wire’ spent some well-deserved time as a more fitting finish than the somewhat-sour ‘It’s Hard.’
Released 15 years ago this week, the Who’s ‘Endless Wire’ spent some well-deserved time as a more fitting finish than the somewhat-sour ‘It’s Hard.’
‘Trance-Fusion’ arrived 15 years ago today, offering no traditional structures, no choruses, and few repeated elements. It was classic Frank Zappa.
Released 10 years ago today, ‘Bad As Me’ delivered a set of short but focused songs that spanned a wide range of Tom Waits-isms, both old and new.
Jim Pembroke is lost, but thankfully not without a trace. Here’s an appreciation of this legend from the Finnish prog band Wigwam, written “in gratitude.”
Here is the premiere of the video to herald the release of saxophonist, composer and bandleader Beth McKenna’s new album ‘Beyond Here.’
Released 10 years ago this week, Julian Lennon’s ‘Everything Changes’ emerged as the most assured release yet from an underrated pop melodist.
For those who bought a copy 30 years ago this month, and there weren’t many, Talk Talk’s ‘Laughing Stock’ led the way into an as-yet-unformed genre. You’re welcome, Radiohead.
Released 10 years ago today, ‘Laughing Down Crying’ found Daryl Hall rediscovering his pop muse, all on his own.
The highly individual trumpet of Steph Richards and the interesting twists heard on “Zephyr” set the pattern for the rest of the upcoming adventurous album of the same name.
Why is there no fanfare for the 50th anniversary of MC5’s ‘High Time’? As seems to be typical these days, I have no answer.