Like last week’s OTM, we’re profiling a song played by a pianist whose preferred method of attack is the trio format. Aside than that, there’s nothing that could be more different about today’s flavor, as we go from a twenty-six minute long cerebral jazz track to a three minute popRead More

by S. Victor Aaron That Keith Jarrett, he’s one amazing individual. Consider: · In the middle of the domination of jazz by wanking electric guitarists and keyboardists in 1975, KJ sits down in front of an audience in West Germany armed with only a piano, starts playing whatever came outRead More