Yes’ “The Prophet,” the lone Jon Anderson/Chris Squire collaboration on ‘Time and a Word,’ is a strong track hampered by heavy-handed production.

Released in July 1986, Neil Young’s ‘Living on Water’ began as a failed Crazy Horse collaboration. Then, it became something quite intriguing.

A Steve Lukather-sung ballad, “99” did respectively enough, reaching the Top 40. But why wasn’t it Toto’s biggest hit to that point?

Simon Phillips and his Protocol collaborators have nothing to prove, yet deliver another no-holds-barred jazz fusion album.

Yes’ “Sweet Dreams” may have a decidedly non-progressive rock feel, but it is one of the stronger compositions on 1970’s ‘Time and a Word.’

Chris Carver displays his formidable chops as band leader, producer, songwriter and keyboardist on ‘Ghost in the Machine.’

Toto’s proggy “St. George and the Dragon” failed to chart as the lead single from 1979’s ‘Hydra,’ but it’s only grown in estimation since.

Preston Frazier caught up with Lucas Lee to talk about ‘Normalcy Bias,’ plans for a follow up, his musical beginnings and albums that inspired him.

Billie Rainbird’s debut album, produced by former Toto drummer Simon Phillips, emerges as something diverse, thought provoking and memorable.

Talk about a buzz kill. Yes’ cover of Stephen Stills’ “Everydays,” though situated between two of their best early songs, just doesn’t work.