Magnification, the 19th studio album from Yes, signals yet another polar shift. Out was keyboardist Igor Khoroshev and in to replace him was an orchestra.
Khoroshev’s compositional and keyboard wizardry contributed mightily to making 1999’s The Ladder so vital. Unfortunately, he was not invited to continue with the world’s greatest progressive rock band.
The core lineup of Jon Anderson, Chris Squire, Steve Howe and Alan White continued with producer Tim Weider, producing Yes’ second attempt at incorporating an orchestra into their formula. Gamely employing orchestral arrangements by Larry Groupe’, Magnification hits most of the right notes.
The album’s opening title track gracefully integrates the soaring sonics of the orchestra with trademark Yes touches. Howe’s acoustic playing is a strong as ever. Jon Anderson, performing on his last Yes studio album, delivers evocative lyrics and equally passionate vocals. Chris Squire’s bass is clear in the mix, as is his harmony.
The time signature changes are effective, and executed in a manner expected of such seasoned pros. As a four piece, Yes exceeded expectations. The album deserved a better sales fate than it got. Magnification proved that Yes could continue to progress.
- Bernie Chiaravalle, Fernando Perdomo + Others: Preston Frazier’s Best of 2024 in Rock - December 13, 2024
- Jazz Guitarist Juan Dhas Discusses ‘Aether’: Something Else! Interview - November 30, 2024
- Mark Anthony K. Discusses Projekt Gemineye’s ‘Canada: Stories and Legends’ - November 16, 2024
