Johnny Pacheco – ‘Mi Nuevo Tumbao … Canonazo’ (1964; 2024 reissue)

Mi Nuevo Tumbao … Cañonazo by Johnny Pacheco, also known as El Gran Pacheco, is an essential album in the development of salsa music. Released in 1964, this LP also marked a significant milestone with the debut of Fania Records.

These sessions showcased Pacheco’s flair for blending son cubano and charanga with a more modern urban flavor, laying the groundwork for the explosive salsa movement of the 1970s. A well-executed new reissue of Mi Nuevo Tumbao … Cañonazo finds Craft Recordings once again taking special care with vinyl packaging and mastering.



Mi Nuevo Tumbao … Cañonazo opens with the dynamic “Cañonazo,” a song that encapsulates the essence of Johnny Pacheco’s style as crisp, intricate flute melodies are paired with driving Afro-Cuban rhythms. Pete “El Conde” Rodríguez’s vocals bring a soulful intensity to the tracks, lending authenticity and energy that make songs like “Pinareño” and “El Kikiriki” unforgettable. Of course, the rhythm section and integral timbales and congas are stellar.

Pacheco’s mastery of arranging is evident throughout the album. Tracks like “Fania” and “Yo Soy Guajiro” blend traditional Cuban music with the innovative swing of New York’s Latin sound. Mi Nuevo Tumbao … Cañonazo is both a tribute to the past and a bold step toward the future of salsa.

What makes the material so particularly compelling is its authenticity. This LP embodies the spirit of the Latin diaspora in New York, offering a nostalgic and forward-looking sound. Johnny Pacheco’s vision, combined with the power of his band, helped craft a new identity for Latin music that resonated far beyond its cultural origins.

As a reissue on 180-gram vinyl, the 60th-anniversary edition of Mi Nuevo Tumbao … Cañonazo brings a cleaner, richer sound, reminding listeners why the album remains a cornerstone in Latin music history. Whether you’re a salsa aficionado or new to the genre, this is a vital listening experience that captures the roots and vibrancy of salsa at its inception.

Preston Frazier

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