Bob Dylan has played with a lot of electric guitarists. Fine players, all. One stands alone, however, in this long musical history: Robbie Robertson.

With ‘Excuse Me While I Vanish,’ William the Conqueror has created a red-hot guitar sermon with good old-fashioned rock-trio insight.

Lyia Meta’s ‘Always You’ embarks on a jazz-pop journey, exploring her take on love, life and fun with songwriting collaborator Denise Dimin.

Here is the video premiere of “Modern Gothic” from Dave Meder and his quartet, featured on the upcoming release ‘New American Hymnal.’

Released 50 years ago this month, ‘Brothers and Sisters’ found the Allman Brothers Band recommitting to the group dynamic during a period of emotional turmoil.

With ‘Collodion,’ Anthony Wilson managed to turn what would be a stressful situation for lesser musicians into a cozy listening experience.

If you just want to hear Chick Corea and his mates shred like rock stars, 1987’s ‘Light Years’ by his Elektric Band is a good place for that.

This creative burst mostly came with help from jazz luminaries, but ‘The Omnichord Real Book’ still sounds like the singular Meshell Ndegeocello.

Angie Wells and ‘Abbey Road Reimagined’ headline the latest edition of Five for the Road, an occasional look at music that’s been in my car lately.

With its genre-defying songs, Joshua Burnell’s ‘Glass Knight’ returns us to a time when folk, pop and rock blended into a clever tapestry.