Don the headphones and close your eyes, as Jeremy Morris’ ‘The Road to Zion’ takes you on a prog-rock flight that will make you glad to be alive.

Wadada Leo Smith’s ‘Sacred Ceremonies’ is a divine communion among legends, but it’s also yet another ambitious statement from an artist who produces lofty works with so many different accomplices on a regular basis.

There’s a lot of appealing melodicism built into harmolodics, and the ‘Broken Shadows’ quartet of Tim Berne, Chris Speed, Reid Anderson and Dave King succeed in driving that point home.

Saxophonist Mars Williams joins Ross Boissoneau to discuss career-changing work by Roscoe Mitchell, Talking Heads and Albert Ayler.

This ‘Going For the One’-era bonus item would have made an interesting interlude. At just over four minutes, however, it seems too long as a Yes song.

Set the controls for the heart of the sun, because ‘Still Wish You Were Here: A Tribute to Pink Floyd’ is a lovely listen.

This unapologetically delivered eponymous debut from Maud was composed from deeply personal experiences, but could be inspirational to anyone.

Satoko Fujii’s Tokyo Trio as heard on ‘Moon On the Lake’ is not a conventional jazz trio but a Fujii ensemble in every sense, with the grace, sophistication, surprise and ingenuity found in her other groups.

Check out the crushed velvet-smooth slow jam “For My Love” advance single from Butcher Brown’s upcoming ‘Encore’ EP.

Reborn as a quartet, Sam Weinberg’s BLOAR is still making stimulating experimental jazz-rock that’s wild, acerbic and sometimes mathematical.