Brandon Seabrook, with Cooper-Moore + Gerald Cleaver – ‘Exultations’ (2020)
You never know what to expect from a new Brandon Seabrook album, aside from that it’s guaranteed to be way outside the bounds of normal. ‘Exultations’ is certainly that.
You never know what to expect from a new Brandon Seabrook album, aside from that it’s guaranteed to be way outside the bounds of normal. ‘Exultations’ is certainly that.
Danielia Cotton’s six-song EP ‘A Different War’ is as hard-charging and personal as anything in her career. She’s not pulling any punches.
Adrian Younge and Ali Shaheed Muhammad’s ‘Roy Ayers JID 002′ does a great job of showing the timelessness of Roy Ayers’ 70s music with a message for people of the present.
Vibrating with volume, Richard Turgeon’s “Never Leaving California” projects a mood that fits right in with its dark subject matter.
Veteran drummer and novice record label entrepreneur Whit Dickey finds ways to keep things fresh, this time with a new trio for ‘Expanding Light.’
This ironically named Chicago song is well written, detailed and very descriptive, but it took me a while to understand what the lyrics really meant.
A striking synthesis of folk, classical, pop and rock, ‘Year of the Cat’ deftly demonstrated Al Stewart’s ability to craft literate songs.
By applying today’s sound processing technology to hand-made music that was conceived instantly, Adam Rudolph magnifies the exotic musical concepts of himself and his longtime partners and collaborators Hamid Drake and Ralph M. Jones.
Todd Rundgren’s Utopia, Jon Anderson, Gary Husband and Markus Reuter are part of the latest edition of Five for the Road, an occasional look at music that’s been in my car lately.
With Neil Podgurski and Brian Settles by Chad Taylor’s side, ‘The Daily Biological’ manages to cover a lot of fertile ground found in Taylor’s artistry.