Released 40 years ago this week, ‘90125’ reshaped Yes as a modernized best-selling ’80s band. That wasn’t a bad thing.

Preston Frazier’s Best of 2021 Rock, Pop and R&B also includes Henry Bateman, Toto’s Joseph Williams, Lucas Lee, Dire Straits’ Alan Clark, and others.

Tony Kaye, Madeleine Peyroux, David Garfield and others are part of the latest edition of Five for the Road, an occasional look at music that’s been in my car lately.

At its best, ‘Yesterday and Today: The Yes 50th Anniversary Album’ isn’t just a recreation of the originals; it’s an imaginative retelling.

Yes’ “Perpetual Change” is a wonder of polyrhythms, poetic lyrics, tight harmonies, elegant keys and sometimes melodic, always innovative guitar.

Tony Kaye was on the way back from a Yes performance at Basingstoke in 1970, when the band was involved in a horrific crash.

Released this week in 1971, ‘The Yes Album’ was their big-bang moment, a project where the full scope of Yes’ genius began to take shape.

Preston Frazier discusses Billy Sherwood’s best contributions to prog and pop, both with Yes and with stars like Paul Rodgers and William Shatner.

A Yes pre-cursor group, Mabel Greer’s Toyshop has returned — with a whole new set of connections to the legendary prog amalgam.

Trevor Horn, Jon Anderson and Tony Kaye join us to discuss Yes’ “Owner of a Lonely Heart,” issued as a single in October 1983.