Sometimes old really is new again. Bela Fleck and the Flecktones existed as a trio for a handful of years after harmonica/pianist Howard Levy left, only to ask consistent fill-in saxophonist Jeff Coffin to join their ranks.
Post Tagged with: "Jazz"
Sean Jones does something with No Need To Words” that’s sorely needed: Talk about love in a complete way. Not just the romantic part, or the passionate part (though that’s here, too) but the other parts — the angry parts, the melancholy parts. The part where you thank a parent for everything she did; the part where you try toRead More
Listening to this record before I even read Melvin Jones’ liner notes, I already knew what he meant by the title of this debut album by him. It’s an album that has many shades of jazz on display, and the constant is the pure, malleable trumpet voice of Jones. So I had to nod in agreement when I read Jones’Read More
by Mark Saleski My favorite Tom Harrell record is actually a Jim Hall record. These Rooms was a Jim Hall Trio album featuring Tom Harrell. Really great stuff. There was a certain synergy between Harrell’s flugelhorn and Hall’s guitar. Some of that kind of thing is evident on Roman Nights. Danny Grissett’s beautiful piano introduction on the title track leadsRead More
This isn’t so much a rethinking of American Broadway composer Jerome Kern’s work as a deeply romantic, light jazz/classical aside. Recorded in 1987, the same year the legendary French gypsy jazz violinist Stephane Grappelli passed, Plays Jerome Kern — re-released this month by Just a Memory Records — is couched in a luminous, almost pillowy orchestral score by Ettore Stratta.Read More
I took a quick survey of pianist Bruce Barth’s discography, and the album titles go like this: Home: Live in Columbia Missouri, Live at Café Del Teatre, Live at The Village Vanguard, Hope Springs Eternal, Live. So when New York’s legendary Small’s jazz club asked Barth to make a live record for their fledgling smallsLIVE label from a two nightRead More
Washington D.C. percussion specialist Nasar Abadey has earned his stripes over decades performing with some of jazz’s towering figures like Dizzy Gillespie, Ella Fitzgerald, Pharoah Sanders and Sonny Fortune.
Taylor Haskins, who’s done an impressive amount of soundtrack work, has put out an appropriately cinematic project here. Originally recorded in 2009, but just issued by NineteenEight Records earlier this month, Taylor Haskins + Recombination begins with the soaring sunrise of “Morning Chorale,” moves on into the rush-hour bustle of “Upward Mobility” and then the shimmering lyricism of “A LazyRead More
Ornette Coleman called his music the Shape of Things to Come, then later harmolodics. Everyone else, eventually, came to call it free jazz. And that fits. It was, after all, so very free.
The Elements of Jazz is a quartet from Miami bills themselves as “The New Sound of Miami,” with its clean and lean jazzy grooves that sharply contrast with the “new sound of Miami” from the 80s, Gloria Estefan and the Miami Sound Machine. The one common element is that both evoke the sights and sounds of South Florida; in theRead More