As a musician, Collins is the complete package: performer, composer, bandleader. This we know from his 2007 debut Valcour, when he was largely introduced to the world as a vibraphonist with great range and inventiveness in the manner of Bobby Hutcherson.
Post Tagged with: "Jazz"
by Mark Saleski I wasn’t familiar with the work of vibraphonist Bill Ware (though a quick Allmusic search said that he’s played with the Jazz Passengers, Groove Collective and even Steely Dan) but I was, then as now, a sucker for the sound of vibes. What’s more, I’ll buy anything with the name “Marc Ribot” attached to it (check outRead More
by Mark Saleski Many artists, when asked to pick a favorite from their own discography, will lean toward their most recent release. Sure, I can see that. You work on new material, it’s fresh and exiting, and right there in the front of your mind. I’ve wondered what Pat Metheny’s response would be
Tony Bennett, 85 this year and still singing with great dimension and style, is set to release of Tony Bennett: Duets II, Sept. 20 on RPM/Columbia Records. Here’s an early preview of a key track
From the first, it seems, guitarist Bill Frisell has sought to synthesize jazz with country and folk themes, and that impulse works to tremendous effect on this deft remake of John Lennon’s “#9 Dream,” from a forthcoming tribute recording
An ambitious debut featuring seven original titles, George Lernis’ Shapes of Nature is a great new example of how Tony Williams’ legacy continues to play out in jazz.
German pianist Christian Pabst is still studying (at the European Jazz Master’s Programme at the Conservatorium van Amsterdam), but his new CD with his longtime trio shows that he’s already learned a lot. Maybe it only seems that way because of the rapport he’s developed over the years with drummer Andreas Klein and bassist David Andres, or maybe because PabstRead More
by Mark Saleski Several years ago, I happened upon a book called A Pattern Language. It was an odd purchase for me, because I’m not really an architecture person, at least not in the grand “Oooh, majestic building!” sense
by Mark Saleski I can probably count on the fingers of one hand the number of jazz “with strings” records that ‘work’ for me. This is a somewhat mysterious phenomenon as jazz and improvised music is food to me.
There’s something odd I noticed about this record from the opening moments: there’s a piano on it. Why is that so bizarre you ask?